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She searches for a position that considers subjectivity as not unitary and produced through the intersection of various social practices and discourses that are heterogeneous and even contradictory.
Subjectivity is then best described as many subject positions taken up by an individual. Discussing authors such as De Lauretis and Donna Haraway, Ang states that such subjectivity is never complete, but is continuously produced in the social contexts in which a person deals with heterogeneous practices and discourses.
Nevertheless, the understanding or reading of a character as well as her gendered attitudes, including sexual behavior is not direct or coherent and allows for distinct and even contradictory identifications; viewers watch, interpret, and get touched by parts of a story.